Rainbow Dance Theatre’s ensemble of eight virtuoso dancers
transforms the concert stage into a world of mystery, pathos and humor.
Delighting audiences of all ages with its athletic
“pull-out-the-stops celebration of … dancing that pays homage to world-dance
and –music influences” (Sheryl Dare, Honolulu Advertiser), RDT’s repertory
features modern works with roots in the traditions of many world cultures.Combined with innovative aerial choreography,
visually stunning interactive sets and full-stage 3-D backdrops, the
distinctive choreography of artistic directors Darryl Thomas and Valerie
Bergman creates “an exotic feast for the senses”.(Isamu Jordan,
Spokane Spokesman Review)
“At first glance, the audience was drawn immediately into
the show’s jaw-dropping sets, which included a beautifully rendered backdrop of
the urban life, a full-size faux rock wall, a giant multimedia screen, a cargo
net suspended above the stage, pyrotechnics, and more.The dancing was breathtaking, artfully
rendered, and polished.The show
featured different types of dance, from hip hop and African rhythms to
physical/martial arts based dancing and modern.The audience stayed engaged throughout this incredible performance and
offered a standing ovation, roaring, at the end of the program.”(Camille Barigar, Arts on Tour, Twin
Falls, Idaho)
Rainbow
Dance Theatre is directed by internationally renowned
dancer-choreographers Valerie Bergman and Darryl Thomas.Its name highlights its roots in Hawaii, the “land of
rainbows”, as well as the ethnic diversity of its company members and the
diverse cultural influences in the choreography performed by the Company.The Company celebrates this diversity as well
as state-of-the-art technology in dance theatre performance with its virtuosic
style that fuses West African Dance, Haitian Dance, Hip Hop, Martial Arts and
American Modern Dance with computer animation and aerial choreography.This high-impact, rapid-fire performance
style features a rugged athleticism and gravity-defying partnering.3-D backdrops, inter-active full-stage sets
and lavish costuming add a unique visual element that transforms the dance
performance into an entertaining and provocative theatrical event.
Founded
in Honolulu, Hawaii in 1991, Rainbow Dance Theatre (RDT) has been based in Monmouth, Oregon since 1998.The
Company has toured throughout the world, performing in Europe, Asia, the United States, and Mexico to widespread critical and popular acclaim.At the invitation of the United States
Pavilion, the Company represented the state of Oregon at the 2005 World Expo in Nagoya, Japan.Other international
festival performances include the Second International Dance Festivals in Taegu
and Pusan, South Korea, the 5th and 9th Concurso
Continental de Danza Contemporanea in Mexico City, D.F., Dance Tanz in Osaka, Japan, Men Dancing and Cultural Slam in Honolulu, Hawaii, the World Expo ’92 in Seville, Spain, and the 2004 International VSAarts Festival at the JohnF.KennedyCenter for the Performing Arts in Washington, DC.
RDT
tours throughout the Northwest
United States as a member
company with the Arts Northwest on Tour program.As a roster company with Young Audiences, RDT performs for over 15,000 Oregon and Washington school children per year.Its “Rainbow Project”, funded by grants from the Oregon Arts Commission
and the 21st Century Learning Center, brings Hip Hop and African
Dance classes and performances to at-risk children, teens and their families in
the Salem, Falls City, Monmouth and Independence, Oregon communities.The
Company has directed similar programs in other cities throughout the United States in conjunction with local community organizations, schools,
and police departments.The Company and
its Artistic Directors have received numerous other grants including those from
the National Endowment for the Arts, The Kennedy Center for the Performing
Arts, the Hawaii State Foundation on Culture and the Arts, Atherton Family
Foundation, Fred Meyer Foundation, Persis Corporation, and MJI Broadcasting.
Directors
Artistic DirectorValerie Bergman
danced professionally in New
York with many
internationally recognized post-modern choreographers including Nina Wiener,
Mel Wong, Douglas Neilsen, and Marta Renzi.While with the Nina Wiener Dance Company, she served as principal dancer
and ballet mistress, starred in several world premieres at the Brooklyn Academy
of Music’s Next Wave Dance Festival, and appeared on PBS and Dutch National
Television. Bergman has danced as well with The National Ballet of the Netherlands and the Hawaii Opera Theatre Ballet. In 1991 she founded
the Rainbow Dance Theatre (formerly Valerie Bergman Dance Company) in Honolulu, Hawaii where she collaborated with Hawaii’s premiere world-beat band, Cabaseke, and internationally
acclaimed Taiko drum master, Kenny Endo.As dancer and choreographer, Bergman has toured throughout Asia, Europe, Canada, Mexico, the mainland United States and the Hawaiian
Islands.She has won awards and grants from the KennedyCenter for the Performing Arts in Washington, D. C., Oregon Arts
Commission, Hawaii State Dance Council, Hawaii State Foundation for Culture and
the Arts, National Endowment for the Arts, Atherton Family Foundation, MJI
Broadcasting and the American College Dance Festival.Her background in dance bridges many cultural
styles including training in Hula with Kumu Hula Noenoelani Zuttermeister, West
African Dance with Djoniba Mouflet of The National Ballet of Senegal, and
Afro-Haitian Dance with Julio Jean of Haiti.In New York, Bergman taught ballet and modern dance at the Finis Jhung
Ballet Studio, Viola Farber Dance Studio and the State University of New York
at Purchase.Other teaching credits
include the University of Hawaii at Manoa, University of Iowa, Studio Dance Tanz of Osaka, Japan, FloridaSchool of the Arts and WesternOregonUniversity, where she has taught ballet and modern technique as well
as body conditioning for dancers, Hip Hop, improvisation and composition. Since 2008, she has directed the dance program at the Salem Family YMCA.
Artistic DirectorDarryl Thomas
toured throughout the world as dancer and artistic collaborator in the
world-renowned Pilobolus Dance Theatre, receiving an Emmy for his 1996 KennedyCenter performance of the Pilobolus work “Untitled”, starring
annually in the Company’s sold-out New York performances, and performing in the opening ceremonies of
the 1996 Olympics in Atlanta, Georgia.In addition, Thomas has collaborated with Pilobolus on
commercial television projects such as the 2006 award-winning Hyundai
television commercial which featured dancers in silhouette creating a series of
images including a Hyundai car.Demonstrations
from the commercial were featured television on the Oprah Winfrey Show, Conan
O’Brien Show, and the 2007 Academy Awards (Oscars). Previous to his
work with Pilobolus, Thomas danced in Washington, D. C. with Assane Kante’s
Kankouran West African Dance Company.He
received his Master of Fine Arts in performance and choreography from the University of Hawaii at Manoa.He has
received grants and awards for choreography from the Hawaii State Dance
Council, Hawaii State Foundation on Culture and the Arts, Oregon Commission for
the Arts, Persis Foundation, and MJI Broadcasting.Thomas has collaborated on programs in dance
for at-risk youth in Florida, Ohio, Connecticut and Oregon in conjunction with local police departments, school
districts, churches and high schools for the performing arts.One such program, “Youth At Risk Dancing”
(YARD) based in Cleveland, Ohio was awarded the 1999 United States President’s
“Coming up Taller” Award given by Hillary Rodman Clinton. In 2001, Mr. Thomas
represented Rainbow Dance Theatre at the National Ballet of Senegal in Dakar where he researched indigenous dances and collaborated with
National Ballet Costume Designer Djibril Sane on costumes for Act Three of
RDT’s Camouflage Trilogy. His
choreography has been featured in the repertory of dance companies spanning the
globe, including Singapore, Mexico
City, D.F., Pusan, South Korea, Honolulu, Hawaii, and many regional companies in the United States.Mr. Thomas has
taught as a visiting professor at the University of Florida of Gainesville, Florida, the Centro Nacional De Las Artes of Mexico City, D.F.,
Studio Dance Tanz of Osaka, Japan and Pusan National University of Pusan, South
Korea. Currently Mr. Thomas is Professor of Dance at WesternOregonUniversity where he teaches composition, partnering, Hip Hop,
Hawaiian, Salsa, West African and Modern Dance.